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  • 连续剧豆腐妈妈

    主演:谢琼煖 洪都拉斯 陈仙梅 蓝苇华 苏晏霈 曾智希 曾子益 陈志强 郭忠祐 李之勤 潘奕如 范瑞君 王耿豪 吴铃山 张倩 李运庆 罗子惟 宫美乐 王晴 于浩威 马国毕 张世贤 徐千京 黄子玲 黄靖雅 李佩怡 吴政澔 黄尚禾 吴皓升 

    导演:冯凯 

    简介:故事围绕着“万家”的豆腐老店,因“一个家庭3个姓氏”以及“豆腐秘方只传姓万的男丁”的家训,埋下冲突与矛盾的伏笔。讲述一个家庭守护传统豆腐老店并克服挑战的温馨故事。导演冯凯透露故事有点像他的家庭,“家里一团和乐,但其实也隐藏许多危机。”他强调此剧具备8点档的元素,但叙事将以真实温暖呈现,不再走洒狗血路线。剧中妈妈的角色灵感来自于导演冯凯的母亲周游,冯凯也预告剧中女性角色贴近现代女性观念,不同于过往8点档的哭哭啼啼。他认为整部作品是他近十多年拍摄生涯中最自然、最贴近观众生活的一部戏。编剧叶凤英透露故事灵感来自她女儿的一封简讯,让她产生写这部剧的契机。

  • 综艺百变智多星

    主演:未知

    导演:未知

    简介:暂无简介

  • 综艺女人我最大

    主演:蓝心湄 

    导演:未知

    简介:《女人我最大》是台湾一个女性类的电视娱乐节目,讨论各种女性感兴趣的话题——从头到脚,从里到外,从身体到心灵。本书根据中国大陆的流行趋势,对这个节目进行了深度挖掘和梳理,并有针对性地推荐了很多产品,是一本适合所有爱美女性的时尚读物。

  • 短剧床侧有人

    主演:未知

    导演:未知

    简介:暂无简介,敬请期待

  • 电影女骑手

    主演:阿旺仁青 旦增央珍 瑛思 格桑旺姆 四郎次仁 次真 魏崇鼎 

    导演:宋赞 阿旺仁青 

    简介:西藏励志电影 开机时间:2025年9月 拍摄地点:西藏自治区 出品人:确颂赞、杨曦、张建生、张晓鹏、张蕊、夏飞 总顾问:范卫平 总监制:黄炜、燕红 总策划:张建生、尚俊霞 监制:任丽平、边巴次仁 策划:刘长青、蒙凯、陈春霞 总制片人:韩海宗、蒙凯、确颂赞 制片人:牛迪、方志昂 编剧/导演:宋赞 联合导演/民俗顾问:阿旺仁青 摄影指导:杨萧 美术指导:索丹 灯光指导:曹明辉 造型指导:若琳

  • 电影洪涌

    主演:Sára Chripáková 

    导演:Martin Gonda 

    简介:The film delves into the unexplored theme of the displacement of the Rusyn, an East Slavic ethnic group from the Eastern Carpathians in Central Europe, during the construction of the Starina reservoir in the 1980s. Set against this tumultuous backdrop, Flood intertwines personal and collective stories, bringing to the forefront the often-overlooked plight of the Rusyn minority in Slovakia. Gonda's film speaks to minorities, individuals who have experienced displacement and young adults through its protagonist, Mara. The story unfolds in a small village, threatened by an impending flood due to the construction of the reservoir. Mara, a young woman yearning for city life and an education, is bound to her rural roots by her strict father, a Rusyn farmer, who refuses to relinquish his land and legacy despite the looming end of their world. Flood explores the themes of adolescence, uprooting and the sacrifice of personal desires for the greater good. The film seeks to elicit reflections on one's roots and the concept of home, as well as the challenges of navigating a disappearing culture and heritage. The Starina reservoir's construction, which lasted from 1981-1988, led to the largest displacement in Slovak history. Gonda's personal connection to the region, having spent his childhood summers there, adds a layer of authenticity and depth to the narrative. The film not only recounts the physical destruction of the seven Rusyn villages, but also captures the emotional and cultural impact of this event on the community. The director aims to present a deeply researched, emotive and intimate story as well as diving into the complex dynamics between personal identity, community ties and the inexorable march of progress. The movie is poised to engage and challenge audiences, fostering a deeper understanding of the often-painful interplay between tradition and modernity.

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